Malarky

“Malarky is like nothing else, and what everything should be,” Kerry Clare reviews Malarky

When I wrote Malarky I chose a rotating point of view, I wanted that 360 degree circle, in close up, on one woman. I wanted one ordinary woman to matter, so I committed to her in my prose in an unremitting, relentless manner. I called her Our Woman to complete that sense of rotation as I wanted the reader to feel ownership over her or to possess her. To be engaged in her life like you might follow a favourite sports team (to cheer for her, to despair for her) or something you’re passionate about and long to have intimate knowledge of. (I should say that I learn so much about this book from readers, their responses make me aware of things I’d no notion of — the book forms new or unnoticed shadows.)

I never anticipated my novel would be embraced and understood with this same 360 degree wholeness. It is a great privilege to be understood, that’s all I can say about Kerry Clare’s careful and engaged reading of Malarky. Please click on this extract to read the entire review.

Malarky is a journey beyond the limits of love, an equally sad and hilarious portrait of motherhood.

Malarky is like nothing else, and what everything should be,” is something I wrote down this weekend. First, because it’s as funny as it’s dark, and also because it dares readers to be brave enough to follow along an unconventional narrative. Though the winding path is only deceptively tricky– Our Woman’s voice is instantly familiar, and the shifting perspectives remain so intimate and immediate that the reader follows. Consenting to be led, of course, which is the magic of Malarky. This is a book that will leave you demanding more of everything else you read.

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